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How to Get a Job You Love, the UK's definitive careers guidebook, has undergone its biggest update in over a decade. This revamped and substantially updated edition reflects the latest changes in the rapidly evolving UK job market.

• Sales Rank: #550152 in eBooks
• Published on: 2014-09-01
• Released on: 2014-09-01
• Format: Kindle eBook

About the Author
John Lees is a career transition coach and a renowned expert on working lives. John Lees Associates specialises in helping people make difficult career decisions - difficult either because they don't know what to do next, or because there are barriers in the way of success. John is the author of a wide range of career books including Job Interviews and Knockout CV. He has written careers columns for Metro and People Management and thought leadership pieces for The Times and The Guardian.

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4 of 7 people found the following review helpful.
Read, reflect and act...now
By Ajaz Hussain, Careers Education Manager, GSM London and Visiting Tutor (Careers), Lancaster University Management School
Having changed career three times, I was introduced to this book by an outplacement consultant. I was an IT specialist then, working with the world’s largest IT services company. As Careers Education Manager now, I have enjoyed learning and applying many of the tools and techniques in the successive editions as well as passing them on to countless career changers and more recently students and graduates. This edition will offer you the comfort, assurance and much needed guidance from a trusted friend in these confusing times that you too can find, get or keep…a job you love.

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Possessed By Him (Book 1)
Consumed By Him (Book 3)

• Sales Rank: #1277412 in eBooks
• Published on: 2015-06-16
• Released on: 2015-06-16
• Format: Kindle eBook

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• Published on: 1709
• Binding: Paperback

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With this publication Aperture presents an elegantly updated and refreshed edition of the classic Henri Cartier-Bresson volume in The Aperture Masters of Photography series. With an introduction by notable curator Clément Chéroux, this edition includes new, image-by-image commentary and a chronology of this influential and iconic artist's life. Initially presented as The History of Photography series in 1976, the first volume of The Masters of Photography series featured Cartier-Bresson and was edited by legendary French publisher Robert Delpire, who cofounded the series with Aperture's own Michael Hoffman. This redesigned and expanded version honors the selection of images from the original series, which Cartier-Bresson himself created with Delpire, encapsulating the spontaneity and intuition for which this legendary photographer is so celebrated.

• Sales Rank: #899272 in Books
• Brand: Cartier-Bresson, Henri (PHT)/ Chroux, Clment
• Published on: 2015-07-28
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x .60" w x 8.30" l, .0 pounds
• Binding: Hardcover
• 96 pages

About the Author
Henri Cartier-Bresson was born in France in 1908. He studied painting and then began to photograph in the early 1930s. After escaping from prison camp in 1943, he made portraits of artists, covered the liberation of Paris and filmed a documentary on the return of war prisoners. In 1947, the year he had his first show at MoMA, he also founded Magnum Photos with Robert Capa, George Rodger and David Seymour. Not long after, he began in earnest the life of a traveling photographer, working in India, Burma, Pakistan, Indonesia, China, Japan, Mexico and Cuba. His first, defining book "The Decisive Moment" was published by Teriade in 1952. By the late 60s, he had almost ceased making reportage to re-embrace his first passion, drawing. Cartier-Bresson created his Foundation in Paris in 2003, and passed away in 2004.

Clément Chéroux is a photography historian and has been the curator of the photography collection at the Centre Pompidou, Paris, since 2007. He has curated and cocurated numerous photographic exhibitions, including Mémoire des camps: photographies des camps de concentration et d’extermination nazis, 1933–1999, Hôtel de Sully, Paris, 2001; and Le troisième oeil: La photographie et l’occulte (The Perfect Medium: Photography and the Occult), at the Maison Européenne de la Photographie, Paris, 2004, and Metropolitan Museum of Art, New York, 2005. He is the editor of the journal Études photographiques.

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6 of 6 people found the following review helpful.
Cartier Bresson and Clement Cheroux
By lucas
I doubt it that there is a better introduction to Cartier Bresson's work than this book.

The best thing about this book , obviously, are the photos. But the second best thing is the text written by Clement Cheroux, who is a photographic historian and has been the curator of the photographic collection of the Centre Pompidou in Paris since 2007, as it says on the front flap of the book.

Only someone who knows so much about Cartier Bresson could write such a short but very informative introduction like the one in this book.

In addition to that, the texts that accompany photos are very informative, well written and sober. They are really to the point and an universe away from those academic texts one finds so often in photography books. Rarely, I think, the text tried to read too much in a photograph.

I learned more and could better appreciate Cartier Bresson's photos after reading Clement Cheroux's text that accompanies each photo.

You have, in this book, a short text on one page and a photo on the following page. I believe that previous editions of the book had a different design.

The reproduction of the photographs is very good. Far better, for example, than those washed out photos in the facsimile of "The Decisive Moment".

They are not large but they are not small also. Photos have the same size along the book: Horizontal photos are about 6.7 inches wide x 4.5 inches height and vertical photos are 4.5 inches wide x 6.9 inches height

0 of 0 people found the following review helpful.
Five Stars
By Lawrence Mcintyre
Exactly what I wanted - met all expectations.

0 of 0 people found the following review helpful.
Great!
By Chris Cunningham
I only wish the format was larger.

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Giuseppe Rotunno
John Carpenter
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Vittorio Storaro
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• Sales Rank: #3539030 in Books
• Published on: 2000-11-07
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .43" h x 7.38" w x 9.59" l,
• Binding: Paperback
• 182 pages

Review
'An important and equally graceful book about what we jokingly called, and now are beginning to believe might actually be, the Noble Instrument.'
Garrett Brown

'An important and dynamic book... filled with history, technical diagrams, and insightful analysis of how the mechanism fits together. I love the wonderful anecdotes (extremely informative and often eloquent) and interviews... Brown wrote an amazing introduction that starts the book off with a bang!'
Georgia Packard, in Operating Cameraman magazine

'This unique book about a widely used tool in contemporary film production blends theory and practice to create an insightful protrait of Steadicam and moving camera aesthetics.'
Stephen Prince, in Film Quarterly magazine

'A fascinating read for anyone interested in the hard details of movie making.'
Chris Jenkins, in Home Cinema Choice magazine

'A definitive treatment of the Steadiam'
Ray Zone, in American Cinematographer magazine

'For those with no working knowledge or experience with a Steadicam, for students of film or for those intrigued and want to know more about Steadicam and camera work in general, this book really can't be overlooked. Out of ten? ..... a nine.'
ONFILM

'If one has always had a fascination with Steadicam, this is the book to get.'
Eric Delisle

'For those with no working knowledge or experience with a Steadicam, for students of film or for those intrigued and want to know more about Steadicam and camera work in general, this book really can't be overlooked. It is an important addition to the recent record of cinematography, and adds some valuable insights into the Steadicam's usefulness as a tool.'
Reader's review on Amazon.com

"If you are spending tens of thousands of pounds on a steadicam, then the (comparatively small) investment in this book is well worthwhile. It contains everything you could possibly ever need to know on the use, techniques and aesthetics of the steadicam." - Focus magazine

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7 of 7 people found the following review helpful.
Long time coming, but not as good as I'd hoped.
By Philip T Burchell
It is surprising that no-one had published a book on the Steadicam before now. Even this one has been a long time coming. Italian author Serena Ferrara originally published this in 1997, and it was finally released this year in an English version. A Doctorate in "History & Cinema" and her curiosity about the Steadicam led her to write a thesis on the subject, which later became this book.
After a brief but well written overview of the history, types and function of camera movement, the book does an excellent job documenting the invention of the Steadicam … the evolution from first prototype to current models is shown in detail. This first section of the book covers basic principles of how the thing works, how it can be used together with it’s limitations, and gives early examples from films such as "Rocky" and "Marathon Man". The Steadicam didn’t really come of age until it was embraced by Stanley Kubrick on "The Shining" which is discussed at length.
The second section is called "Semiotics and Narrative" and leads into chapters such as "The Gaze of the Narrative Voice". Overall, there is a tendency to intellectualise, and this section in particular was a bit too bookish for me. However, many references to sources of information are given, along with an extensive bibliography, so perhaps this style can be forgiven.
The third section holds a series of interviews which is perhaps the most valuable contribution of the book. Inventor and master operator Garrett Brown naturally features, along with an excellent discussion by Larry McConkey on his extended shots in "Goodfellas" and "Bonfire of the Vanities" and with DP’s Haskell Wexler and Vittorio Storaro among others.
The book however, is limited by it’s concentration of the evolution of the Steadicam as a brand. From 1993, Garrett Brown’s original patents started to expire, allowing competitive manufacturers into the field. The most prominent of these, the PRO, is given scant recognition, others none at all, while the Panaglide ...is perhaps given more than it deserves. Important equipment such as remote lens controllers, gyro’s and antlers hardly rate a mention. Even Cinema Products’ own innovative "iso-elastic" arm is given little attention. The fact that CP went belly-up last year and the Steadicam product was acquired by Tiffen, is a glaring omission in itself.
Other grumbles? Not enough photo’s of the thing in action was a big disappointment, and many that do appear are 10-15 years out of date. The Techniques and Uses section of the book could also be much stronger ....
For those with no working knowledge or experience with a Steadicam, for students of film or for those intrigued and want to know more about Steadicam and camera work in general, this book really can’t be overlooked. It is an important addition to the recent record of cinematography, and adds some valuable insights into the Steadicam’s usefulness as a tool.

0 of 0 people found the following review helpful.
Five Stars
By T Crump
Great information

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[W248.Ebook] Ebook Download Dark Angel, by Lynne Graham

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Knight in shining armor…or avenging angel?

International business tycoon Luciano de Valenza stepped in to save the Linwood family's failing wine business and swept the young, impressionable Kerry Linwood off her feet. Yet Kerry feared Luciano didn't want her, but the wine empire she would inherit. Then money was embezzled from the business, and there was evidence enough to put Luciano in prison.

Five years later, Luciano was back and out to clear his name. He was certain that he'd been framed by the Linwoods and he was planning to take everything that was theirs—beginning with Kerry. He had always loved her, and now he was more determined than ever to have her….

• Sales Rank: #384597 in eBooks
• Published on: 2013-05-15
• Released on: 2013-05-15
• Format: Kindle eBook

Review
"Strong romance with sultry sensuality, explosive scenes and provocative characters." -- Romantic Times

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12 of 12 people found the following review helpful.
Dark Angel - A pretty Good Read
By JADE
This is my first book by Lynne Graham and I was pleasantly surprised. This book as already been written out in past reviews is about a really sharp up & coming young executive that got set up and shafted for embezzling funds from this family run wine company. After serving 5 yrs of prison term, he is freed and the course for revenge is set in motion. Part of his revenge is to reclaim the fiance that left him right before his arrest.
A lot of people don't like the hero, but I did. He is an alpha hero through and through, arrogant as heck, but very possessive of his woman. He did act like a jerk initially, but 5 years of prison, it kind of changes a person and he could have turned out a lot worst. In addition, he truly felt that the heroine may have known about his setup many years ago since her breakup with him was timed so perfectly. But after a few days of being together again, the chemistry and the feelings comes flooding back for the both of them. I also admire how the hero has risen up from poverty with a single mom and labeled a bastard child.
There were momemts where I felt the heroine was just too naive and should have "stood by her man". However, she too was searching for love of family and a sense of belonging.
The loves scenes were sensual but not burning hot. If they were kicked up a notch, I would have given the book a full 5 stars.

5 of 6 people found the following review helpful.
I actually like this book... ;0)
By Lady Raven RAVE!
I actually like this book, i mean yes the heroe was a bit over shadowing, obessive & mentally abusive towards the heroine but i mean there is a good story underneath all of this and if you can bypass all of the qualities of the heroe then you will like this book, meaning most romance novels has a over shadowing, obessive & mentally abusive heroe at times but underneath it all you always have a good story....

2 of 2 people found the following review helpful.
intense story, just not my type of book
By L. B. Taylor
When I read Dark Angel I was curious because either people thought it was really good or didn't think much of it. I am from the second group.

Luciano de Valenza rescued the Linwood's failing wine business five years ago. In the process he fell in love with Kerry Linwood. Just when everything seemed to be perfect Luciano's life fell apart. Kerry's step-sister Rochelle told her Luciano had slept with her. To make matters worse, money was embezzled from the business and Luciano was convicted and imprisoned. For Luciano, the saddest part was Kerry believed he was guilty of embezzlement and sleeping with her step-sister. So much for true love.

Fast forward to the present time...Luciano is out of prison and seeking revenge at those who didn't believe in him. You'll have to read the story to find out more. For those of you who like alpha males, Luciano is über-alpha.

Now for the down side. For a contemporary romance I had a hard time believing Kerry was so naive about both her family and her sexuality. The constant addition of Italian phrases of endearment that Luciano said to her drove me batty after awhile. I just didn't believe the love was there. The story was not satisfying to me and I kept hoping for more. If you want to read the book save your money and see if the library has Dark Angel.

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[P412.Ebook] Ebook Children's Thinking (4th Edition) 4th (fourth) edition

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Noticeable wear to cover and pages. May have some markings on the inside. Fast shipping. Will be shipped from US. Used books may not include companion materials.

• Published on: 2003-06-19
• Binding: Paperback

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[O143.Ebook] Download PDF The Engine of Visualization: Thinking Through Photography, by Patrick Maynard

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"An extremely fascinating study, packed with insights and illumination and astute observation. It is first-rate philosophy―clearheaded, imaginative, sophisticated, and resourceful. And in its historical and technological dimensions, it connects with the 'real world' in ways that are rare in philosophical studies."―Kendall Walton, University of Michigan"For Patrick Maynard photography is in the first instance a technology for marking surfaces, and from this insight flows the most original sustained analysis and argument yet produced in the history of thinking about the camera and its work. At once analytical and historical, scientific and aesthetic, as lucid and witty as it is learned, The Engine of Visualization spells out the simplest general principles necessary for a clear understanding of what photography―also technology, image, and art―is and does. This is a signal achievement, and a simply lovely book."―Alan Trachtenberg, Yale UniversityIn the first philosophical book wholly about photography, Patrick Maynard dispels some basic, persistent confusions by treating photography as a technology―a way to enhance and filter human power. Once photography is understood as a kind of technology, Maynard argues, insights about technology may be applied to provide the general perspective on photography that has been missing.

• Sales Rank: #834072 in Books
• Brand: Brand: Cornell University Press
• Published on: 2005-09-21
• Original language: English
• Number of items: 1
• Dimensions: 9.23" h x .91" w x 6.12" l, 1.32 pounds
• Binding: Paperback
• 352 pages

Features

• Used Book in Good Condition

Review
"Philosopher Patrick Maynard makes a provocative case for revising commonly held definitions of photography."―Technology and Culture

"The Engine of Visualization: Thinking Through Photography by Patrick Maynard makes an original contribution to the ongoing conversation about photography by calling attention to the unexpected forms into which the 'technology' of photography has been evolving."―The Art Book

"For Patrick Maynard photography is in the first instance a technology for marking surfaces, and from this insight flows the most original sustained analysis and argument yet produced in the history of thinking about the camera and its work. At once analytical and historical, scientific and aesthetic, as lucid and witty as it is learned, The Engine of Visualization spells out the simplest general principles necessary for a clear understanding of what photography―also technology, image, and art―is and does. This is a signal achievement, and a simply lovely book."―Alan Trachtenberg, Yale University

"An extremely fascinating study, packed with insights and illumination and astute observation. It is first-rate philosophy―clearheaded, imaginative, sophisticated, and resourceful. And in its historical and technological dimensions, it connects with the 'real world' in ways that are rare in philosophical studies."―Kendall Walton, University of Michigan

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